Video Lighting

From fresnels like the Aputure 300D, to flexible LED lights, to today’s RGB lights, video lighting is changing rapidly, and there’s lots to talk about.

Lume Cube Panel Mini Review

​By now everybody has a Lume Cube, but should everyone also have a Lume Cube Panel Mini? Is it better than the Aputure ML-9? Reviewer Chris Koehn finds out.

Luxli Taiko 2×1 RGB LED Light

The Luxli Taiko is a 2x1 RGBAW light with almost unlimited color spectrum and an output of 15,500 lux at 1 meter. This is a lot of light for an affordable price.

Westcott Flex Cine Lights

Westcott's newest Flex Cine light mats are better than ever, with more power, modifiers and mounting options, a better wireless dimmer unit, and an all new RGBW version in 1x1 or 1x2.

Fotodiox PopSpot Ultra LED Spot Lights

Fotodiox has released an update to their PopSpot high intensity LED spot lights - now called the PopSpot Ultra. There are four lights in the series - Ultra 50 Daylight, Ultra 50 Bicolor, Ultra 100 Daylight, and Ultra 100 Bicolor.

Luxli Timpani RGB Light

The Luxli Timpani 1x1 RGB Light brings the world of RGB lighting into the hands of everyday filmmakers. It's portable, affordable, and extremely well made.

Luxli Cello RGB LED Light

The Luxli Cello 10-inch RGB LED light is the perfect entryway into the world of multicolored lighting for documentary and corporate videography.

Aputure 300D

The Aputure 300D is possibly the brightest, most versatile LED light today for what it costs. But does it replace other lights in your kit? Here's our in-depth review.

Aputure Light Storm LS 1/2 W

The Aputure Light Storm LS 1/2 W is a perfect light for wall bounce, backdrops, and especially green screens. We think it's a valuable addition to any established light kit.