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Children’s Home Companion:
A Commentary by Ron Steinman

I wish I understood the psychology of exposing oneself on one or more of the many sites that are now appearing like fertile rabbits on the Internet. Perhaps it is just my background and an obvious generation gap.

There are many theories for this new-fangled exposure by the young, or, I assume, the mostly young. Some of these have to do with the loneliness youth increasingly feels in our soulless and over-populated world. Apparently, it is easy for a teenager normally struggling for an identity to feel isolated and lost among an increasingly larger mass of equally lost youth. Here I don’t include, but I should, their equally lost elders. There is a theory that when parents drink at home, their children will drink outside the home. Anecdotal evidence points in that direction. Are we seeing something about kids and parental relationships? If relationships at home are wanting, even missing, because of the press of everyday life, children obviously suffer from a lack of intimacy. Into the void there are new sites on the Internet that cater to intimate diaries that formerly people wrote in late at night and then locked away from prying and curious eyes. Now they are on the Internet for all to see. I find this kind of public exposure baffling.

Appealing to the emptiness of life among the young, along come clever programmers, many who are also recently out of their teen years. They have the ability to use the latest technological tools at their disposal, and the creativity to invent new ones, that offer a way out of the isolation our youth keenly feel. Kids in society see the various roads that lead to on-line communities and away from their feeling of isolation. The young, and probably not so young, decide to join the cyber world instead of being part of society. In fact, they dive headlong into the scrimmage on the Internet. They make these unreal worlds a part of their personal space. They remain cut off from the world because they are dealing in false reality, not “the real thing.” Appearing on any on-line site provides a buffer to true connection. That distance may only be a few feet or as much as a thousand miles. Many of the young are unable to navigate the complexities of every life passage, including romance, success and failure, and all life’s complexities. Intimate thoughts become digital and thus emotions are bits and pieces of code instead of anything that is real and alive. Why does this generation fear talking face to face? Why does this generation seemingly refuse to look one another in the eye? That fear of direct connection destroys any sense of modesty. It is easy to be immodest in cyberspace.

New sites are springing up all the time on the Internet. Some advertise with pride that they will provide what they call, “unvarnished reality.” That translates into pictures of death in war, corpses, anything grisly beyond what we used to call “good taste,” and sexual content usually found only on pornographic sites. Can snuff films be far behind? Where does the need for the worst, the ugliest end? Some of these purveyors of the “new” say they are depicting the real world for everyone to see. Others intone their right to coddle no longer our children as they make their precarious climb into another stage of life. It seems to me to be bottom feeding at best, because there is nothing worse, or is there.

These sites ignore the minefield of growth children must endure. Though often painful, most youngsters survive the usual ordeals of growing up. Some things do not change, among them the road to maturity and the inner clock that controls most of our meaner social urges, we hope.

The sites, though, are increasingly obscene, and profane. They often offer indecent behavior, especially when two-way cameras are available without monitors, gatekeepers, to say, whoa, do not go there because you are not as ready as you might think you are for the wider world.

Is the life of the young in the early 21st century so bereft of personal communication, of touch, and inner meaning, that the only means of interacting is through cyberspace, distant and impersonal? Maybe if these children of the impersonal make it to adulthood, we will have a greater understanding through them of the distance they have imposed on each other by appearing in small boxes on a computer screen. Then again, maybe they will not understand more than I do now or I will then.

There are now so many people who are spending their time viewing these sites and providing material for them, I wonder if they have time for anything else. Do they have lives outside cyberspace? Is the world of futurists now real? In an attempt at the personal, everything on the Internet becomes impersonal. Will people be able to tell real from fake? I am starting to think not.

Everyone looks at everyone else’s so-called creative offerings, whether as the creator of songs, skits, or stories, with the same uncritical eye. Quality is secondary to public exposure. These providers are alone and in their loneliness, they seek solace from the number of hits they get for their usual amateurish presentations. Of course, we cannot hope for a strong critical approach. It means that the ability to analyze anything will have such a low standard that no one will be able to tell good from bad. The lowest common denominator will rule.

Finally, who has the time to view everything on these sites? Do people really have that much time on their hands that they spend it looking at the lives of others, perhaps living through all those other people they do not know or will ever know? That is the problem. Without engaging in life and its infinite variety, life as reality, existence in cyberspace rules now and will continue to do so in the future.

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At NBC News for 35 years, Ron Steinman was bureau chief in Saigon, Hong Kong and London, was a senior producer on Today and wrote and produced for Sunday Today. At ABC News Productions, he produced and wrote documentaries for A&E, TLC, Discovery, Lifetime and the History Channel. He has a Peabody, a National Headliner award, a National Press Club award, a International Documentary Festival Gold Camera Award, two American Women in Radio & Television awards and has been nominated for five Emmy's. He is a partner in Douglas/Steinman Productions, whose latest documentary, "Luboml: My Heart Remembers," aired on PBS' WLIW/21 and the History Channel in Israel, April 29, 2003. He is the author of, "The Soldiers 'Story", "Women in Vietnam," and most recently, "Inside Television's First War: A Saigon  Journal," University of Missouri Press, 2002.

 

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