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Eileen Douglas |
My digital camera. I never leave home without it.
It never used to be that way.
Taking photographs has always been part of my life. I love to shoot
and always have. With a film still camera, however, I would never
lug it along, every day, all day long, no matter where I went. That
was for vacations. Special events. Birthdays, graduations, kid’s
school plays and parties.
But like others, digital photography has changed my life. And, in my
case, it means these days I always, always have it at hand. Tucked
inside my purse, batteries charged, extra memory cards at the ready.
You never know when you will see something. The last thing I want is
to kick myself that something wonderful, something fleeting I might
never see again, crossed my path and I didn’t capture it. I never
want to say, with regret, what a great shot. If only I had a camera!
With the digital camera I always have it handy. I am always armed
and ready. And because of that I now have photographs I never would
have had.
In fact, it seems the best are the ones you don’t plan. Could never
have expected.
All my life, in much of my work and my personal being, the mindset
has been --- set a goal, work to make in happen. I’ve done enough in
my time and with my time that’s been planned out. Under pressure. On
deadline. This is different. This is very Zen. And it’s the digital
camera that makes it happen. Here, the idea is not to go out
looking. The idea is to be struck. To be struck by whatever I may
encounter. To be living my life and along the way see what crosses
my path, see what hits me, and then, because I’m ready with that
camera in my bag, spring into action. Nail it. I may carry the
camera around for a month and see nothing, then turn a corner and
find something that makes me click off a hundred shots. Because the
camera is always ready, I am always ready.
Once I have these shots, they are my treasure, like jewels. When I
look at them, as I do over and over again, I take such pleasure
knowing that I have them.
And I’m talking camera here. Not camera phone. From the quality of
the photograph to the quality of the experience of taking the
photograph, it’s the pleasure of the click of the camera that does
it.
Morning light streams in through my window at sunrise, or the
setting sun stands in silhouette against the evening sky, and I will
grab the camera and shoot. Clouds frame up in odd shapes at twilight
and I will click away. Now I always take the window seat on plane
rides, so I can snap to my heart’s content. Riding as a passenger on
a car trip, mist turns trees on a riverbank into a dreamscape and I
will capture it.

What a happy surprise to find the moment you lift off from JFK the
sun is splashing golden light over Manhattan and with the camera in
hand your prize is the island below dazzling like an impressionistic
painting.

Walking the city, I may stumble across a scruffy looking man playing
a saxophone in Central Park, a crowd stopped for a light casting
haunting shadows down Fifth Avenue, a dog whose owner has slapped on
a pair of “meant for people” sunglasses on a bright summer morning.


Heading home one day I looked up to see a once in
lifetime sight --- magician David Blaine stuck inside a glass tank
of water surrounded by a crowd of gawkers outside Lincoln Center.
Thank goodness I had the camera.

Passing children playing night games around a lamp embedded in a
sidewalk in Mexico, strange illuminations made them look ethereal.
And I have the photo to show it.

All of them shots I would otherwise not have. That’s the digital
difference.
Out to dinner on a summer weekend at the beach, I always stick the
camera in my pocket. There, where the shore meets the sky and sea,
dinnertime is the time of day when the sunsets are glorious. Not
everyone around me feels as I do. I jump up from the table so often,
my dinner companions always beg me to stop. I never do. If I did, I
would never have the couple strolling under purple clouds, the pier
outlined against the blood-red sky, the boy on the bike hell bent
for who-knows-where, his every motion filled with joy.

Sometimes, though, there are close calls. And then I nearly do kick
myself.
Last month, after a long, frustrating plane ride and nerve-wracking
wait for missing baggage, I arrived on a Caribbean island and set
off in the rental car just as the sun was beginning to set. Coming
over a hill I was struck by one of the most gorgeous sights I’ve
ever seen. Streaks of sunbeams like thunderbolts from heaven were
glinting off the sea and throwing the rocky islets on the horizon
into relief, like dark hulking Chinese mountains. What a shot, I
thought! How fabulous! Then, in horror I realized I had gone soft,
violated my own rule. My camera was in my purse, all right. But my
bag was tossed with the rest of the luggage into the pile in the
back seat, while I was in the front seat, strapped in tight. With
cars bearing down behind, we headed down the hill, with no place to
stop and I slowly feared my shot slipping away with every second I
delayed.
Like a maniac, I grabbed for the bag, just within reach, pulled out
the camera, unvelcro-ed the case, waited an agonizing moment more
for the shutter to click open, and shot. Yes! I got it! I was SOOO
proud of myself. Because I didn’t let it go.

Still, there are times when, even with the best intentions, reaching
for the camera is just too much to handle. The other day on
Broadway, a freezing winter day, this man in a baseball cap goes
strolling calmly by. Perched on top of his head, above the baseball
cap and blasé comfy as could be, was a big, fat, black and white
cat, clearly out for a leisurely promenade together, as if it was
the most normal thing in the world. You had to see it. I wish I
could show it to you. But my hands were full. And the wind was
whipping. And I was both chilly and tired. To get the shot I needed
split second timing. I’d have to put down the packages, zip open my
purse, get out the camera and catch them before they walked on by.
Sorry to say I balked. So I watched the picture walk away.
All I can hope is one day I’ll see them around again. This time on a
warmer day.
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Eileen Douglas is a broadcast journalist-turned-independent
documentary filmmaker. Former 1010 WINS New York anchor/reporter and
correspondent for ABC TV's "Lifetime Magazine," she is the author of
"Rachel and the Upside Down Heart," and co-producer of the films "My
Grandfather's House" and "Luboml: My Heart Remembers." She can be
reached at
www.douglas-steinman.com.
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